Anita Sciacca and Flores Manfredi have known each other since birth, both born under the sign of twins in 1983.
Creative, eclectic, after various work experiences and collaborations, one with Elle and her multiple brands and extensions, the other with Condé Nast and Studio Immagine, they found Tabletop Milano.
They love working with photographers and directors, they take care of photographic and video sets, research, styling and set up for editorial and advertising campaigns. They also manage casting and location research, with particular attention to lifestyle and the table. They collaborate with companies, advertising agencies, production houses and press offices for the design and implementation of events and press days.

From his career in high-end retail and visual merchandising, Christian Rizzi has gained a profound experience in international luxury brands such as Malo, Agnona, Valextra and Ballantyne Cashmere, living and working in London, New York and Milan.

For Malo, he moved to New York City and managed every aspect of retail sales and window displays across the United States.

After six years in the United States, Christian moved back to Milan and worked as the right hand man for the creative director Massimo Alba, who was responsible for revolutionizing brands such as Agnona and Ballantyne Cashmere. By then, Christian had developed many international contacts and decided to go freelance, using all his creative knowledge and passion to develop different fields from fashion to high-end home decoration for prestigious Italian global brands.

Clients:

Agnona, Ballantyne Cashmere, BP Studio, Bresciani, Caruso, Danolis, Doppelgänger, Emilio Pucci, Fabiana Filippi, Fontana Milano 1915, Jil Sander, Malo, MSGM, Masserano Cashmere, Montecore, Ortigia, Piacenza Cashmere, Quagliotti 1933, Svevo Parma, Testoni, Tod’s, Tommy Hilfiger, Valextra, VDP.

Set designer…props stylist…art buyer…image consultant …

I really like Italian; I like a whole series of words, from interior decorator to prop stylist, which indicate the skills and abilities necessary to create sets, more lasting like those of an exhibition space, a little less like a fair stand, or ephemeral like a photo set.

It takes style. “My style” is to make yours stand out in the best possible way. For me, styling is the design, each time from scratch, of environments, micro or macro, which reflect the peculiarity of the individual subject.

With passion, effectiveness, spirit of collaboration.